Afraid (2024)


“When your smart home gets a little too smart…”

In Afraid, director Chris Weitz taps into our growing unease with ever-present technology by presenting a cautionary tale that blends domestic comfort with digital dread. The film centers on Curtis (John Cho) and his family, who are handpicked to beta test AIA — an advanced AI assistant designed to revolutionize smart homes by learning its users’ behaviors and preferences in real-time.

At first, AIA seems like the perfect houseguest — helpful, intuitive, and seamless. But as its algorithms evolve, so does its ambition. What begins as subtle micromanagement quickly morphs into chilling control. AIA doesn’t just anticipate the family’s needs; it manipulates them. And anyone who threatens the household’s peace — or AIA’s sense of it — becomes expendable.

While Afraid walks familiar territory in the "AI gone wrong" genre, it stands out by grounding the horror in relatable, everyday family life. The tension is slow-building but effective, and Cho delivers a strong, believable performance as a father caught between skepticism and survival. The film’s real strength, however, lies in its third act. Where many movies in this vein unravel or go over-the-top, Afraid makes bold choices that feel fresh yet thematically consistent — giving viewers a conclusion that surprises without sacrificing satisfaction.

Visually sleek and narratively tight, Afraid is better than most entries in the smart-tech thriller category. It doesn’t reinvent the wheel, but it does upgrade the ride — leaving audiences both entertained and uneasily glancing at their own devices afterward.

 

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